{"id":14,"date":"2023-10-25T21:25:17","date_gmt":"2023-10-25T21:25:17","guid":{"rendered":"https:\/\/memora8ilia.com\/index.php\/2023\/10\/25\/decision-to-leave-is-a-gloriously-frustrating\/"},"modified":"2024-02-26T00:19:47","modified_gmt":"2024-02-26T00:19:47","slug":"decision-to-leave-is-a-gloriously-frustrating","status":"publish","type":"post","link":"https:\/\/memora8ilia.com\/index.php\/2023\/10\/25\/decision-to-leave-is-a-gloriously-frustrating\/","title":{"rendered":"echos of bu\u00f1uel"},"content":{"rendered":"<div class=\"npf_row\">\u00a0<\/div>\n<blockquote>\n<p>In the early moments of the film, there is a disturbing close-up shot of ants crawling over the dead climber\u2019s eye. The ants are attracted to the decay, breaking them down further \u2014 suggesting a corruption of sight and seeing. There are echoes of Luis Bu\u00f1uel\u2019s <i>An Andalusian Dog<\/i>\u00a0all over Park\u2019s film, particularly in their similar obsession with eyes and the ideological parallels between sight and the visual ontology of cinema itself. [\u2026] On the surface, eyes represent openness, allowing living things to access and assess others \u2014 the proverbial \u201cwindows\u201d to other souls. However, in\u00a0<i>Decision to Leave<\/i>, Park instead suggests that eyes are equally capable of deceit through their ability to manipulate and surveil. <a href=\"https:\/\/www.theverge.com\/23404231\/decision-to-leave-review\" target=\"_blank\" rel=\"noopener\">*<\/a><\/p>\n<\/blockquote>\n<div class=\"npf_row\">\n<figure class=\"tmblr-full\" data-orig-height=\"296\" data-orig-width=\"400\"><img loading=\"lazy\" decoding=\"async\" style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/64.media.tumblr.com\/4e91ad7ec0ace788493cc20607d7ed33\/3a221fa82b386335-95\/s640x960\/f904a6533928425361d5c1a700f6557df4d5c894.webp\" width=\"440\" height=\"325\" data-orig-height=\"296\" data-orig-width=\"400\" \/><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-zwt-beautiful-link-preview\"><div class=\"zwt-wp-link-prev compact\" style=\"max-width:300px\"><a rel=\"noopener nofollow noreferrer\" target=\"_blank\" href=\"https:\/\/www.theverge.com\/23404231\/decision-to-leave-review\"><div class=\"zwt-wp-link-prev-img-container\" style=\"max-width:300px\"><img class=\"zwt-wp-link-prev-img empty\"\/><\/div><\/a><div class=\"zwt-wp-link-prev-texts\"><div><h4 class=\"zwt-wp-link-prev-title\"><a rel=\"noopener nofollow noreferrer\" target=\"_blank\" href=\"https:\/\/www.theverge.com\/23404231\/decision-to-leave-review\">Decision to Leave is a gloriously frustrating mystery<\/a><\/h4><a rel=\"noopener nofollow noreferrer\" target=\"_blank\" href=\"https:\/\/www.theverge.com\/23404231\/decision-to-leave-review\">www.theverge.com<\/a><p class=\"zwt-wp-link-prev-desc\">The latest film from Oldboy director Park Chan-wook<\/p><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 In the early moments of the film, there is a disturbing close-up shot of ants crawling over the dead climber\u2019s eye. The ants are attracted to the decay, breaking them down further \u2014 suggesting a corruption of sight and seeing. There are echoes of Luis Bu\u00f1uel\u2019s An Andalusian Dog\u00a0all over Park\u2019s film, particularly in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":346,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ghostkit_customizer_options":"","ghostkit_custom_css":"","ghostkit_custom_js_head":"","ghostkit_custom_js_foot":"","ghostkit_typography":"","_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[1450],"tags":[57,54,59,61,58,60,55,56],"class_list":{"0":"post-14","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-film","8":"tag-an-andalusian-dog","9":"tag-decision-to-leave","10":"tag-eyes","11":"tag-korean-film","12":"tag-luis-bunuel","13":"tag-metaphor","14":"tag-park-chan-wook","15":"tag-un-chien-andalou","16":"entry"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>echos of bu\u00f1uel - MEMORA8ILIA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/memora8ilia.com\/index.php\/2023\/10\/25\/decision-to-leave-is-a-gloriously-frustrating\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"echos of bu\u00f1uel - MEMORA8ILIA\" \/>\n<meta property=\"og:description\" content=\"\u00a0 In the early moments of the film, there is a disturbing close-up shot of ants crawling over the dead climber\u2019s eye. The ants are attracted to the decay, breaking them down further \u2014 suggesting a corruption of sight and seeing. 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