❝ Aside from a Xerox machine, the key materials needed for a punk rock flyer tended to include: newspapers and magazines from which text and images could be ripped and reassembled; pens with which dates, times, and illustrations could be scrawled; and glue to assemble the collage that would be flattened into a photocopy. In addition to appropriating existing imagery, some emerging punk artists created their own, playing with the visual vernacular in the form of cartoons and drawings. Raymond Pettibon, perhaps best known for creating the barcode-like Black Flag logo, created photocopy-ready pen and ink illustrations, taking formal cues from traditional comics but infusing his images with subversive themes, dialogue, and settings. Others, like Winston Smith, who created much of the Dead Kennedys’ most recognizable artwork, collaged already lo-fi newspaper imagery into disturbing juxtapositions of advertised versus actual life. When run through the photocopier, toner smears, and other imperfections made these images literally darker, producing an oddly nocturnal final copy that perfectly reflected the milieu and mood of punk. ❞ *
music history
❝ Following his purchase of the Acoustic PA System in 1973, [DJ Kool Herc] continued to build his sound system, adding additional components over the years. Perhaps the most significant early addition was GLI 3800 mixer, which replaced the eight-channel acoustic mixer, allowing Herc to more easily switch between his two turn tables (rather than using two hands to manually switch channels). The 300 Watt McIntosh amplifier provided sufficient power to fill a room, playground, basketball court or a park with sound–solidifying its reputation as one of the most dominant sound systems in the Bronx during the 1970s. Reminiscing years later, Herc recalled that ‘that thing cost a lot of money and pumped a lot of juice. It was 300 watts per channel. As the juice start coming man, the lights star dimming. And the turntables, I had the Technics 1100A, the big ones, so it wouldn’t turn.’ ❞ *
https://memora8ilia.com/index.php/2022/08/02/selling-rap-history-dj-kool-hercs-gear-and/
Behold the rare Joh Mustad AB ‘Tubon’ monophonic bass keyboard, seen above in the hands of Paul McCartney. Remarkably, it was patented in 1967, predating the ‘keytar’ by at least a decade.
❝ The instrument was battery-powered, monophonic and came with a strap so it could be slung like a guitar. It made its mark in the Swedish folk scene of the 60s and 70s and had four presets sounds to choose from: contrabass, saxophone, electric bass, and woodwind. Few made it beyond the Scandinavian frontier, except into the hands of the Beatles and Kraftwerk. ❝ *
https://memora8ilia.com/index.php/2022/06/08/behold-the-rare-joh-mustad-ab-tubon-monophonic/
Hidden in a Fire Island House, the Soundtrack of Love and Loss
This moving article explores how mixtapes can capture and contextualize moments in history. In this case, a stash of recordings discovered in a former ‘party house’ on Fire Island documents the escape and loss experienced by the island’s community throughout the tragic height of the AIDS crisis. There are many other histories told through hand-designed mixtapes — the genesis of hip-hop and the ebbs and flows of the original rave movement, for two examples. However, these histories are confined to the period from the mid-70s to the late ’90s. Future histories told through music will take other forms, but it’s not like anyone will stumble across a milk crate packed with forgotten playlists.
https://memora8ilia.com/index.php/2022/04/29/hidden-in-a-fire-island-house-the-soundtrack-of/