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June 10, 2022

It’s not often we look to a member of Pavement for pearls of wisdom, but here we are. The idea is that repeatedly naming the world’s knuckleheads only makes them stronger. When, on the blog, I criticize an odious politician, a corrosive billionaire, or any other toxic individual making our world a more awful place, I make a point not to mention them by name. You still know who I’m talking about — it’s not difficult to make it obvious. (I guess on Twitter, that’s called a ‘subtweet.’) But naming directs attention and gives pleasure to power-hungry narcissists and, when done by enough people, thrusts them into ‘trending topic’ infamy. That’s the point. Don’t give in. Criticize as much as you feel necessary, but only lend power to someone’s wretched name if you absolutely have to.

https://memora8ilia.com/index.php/2022/06/10/its-not-often-we-look-to-a-member-of-pavement-for/

June 10, 2022

Resonanz by AUSKLANG

An occasionally transcendent live album from the reverb-drenched Berlin trio. Churchly, instrumental spaciousness that reminds one of Sigur Ros and their ilk. More than suitable worktones fodder to help get you through the Friday.

https://memora8ilia.com/index.php/2022/06/10/ausklang-resonanz-an-occasionally-transcendent/

June 9, 2022

Symbiopsychotaxiplasm Take One is a groundbreaking and fascinating documentary (or is it?) by the legendary William Greaves. Loosely, it’s about the nature of reality, the intended observer, and how film-making creates thorny issues between the two. I can’t say I’ve seen anything else like it. Supposedly Charlie Kaufman refers to Symbiopsychotaxiplasm Take One repeatedly in his novel Antkind, which welcomes the comparison: yes, one could say this is something like if Kaufman made a documentary.

Here’s a short video essay on Symbiopsychotaxiplasm Take One that might answer some of your questions:

https://memora8ilia.com/index.php/2022/06/09/symbiopsychotaxiplasm-take-one-is-a-groundbreaking/

June 8, 2022

Behold the rare Joh Mustad AB ‘Tubon’ monophonic bass keyboard, seen above in the hands of Paul McCartney. Remarkably, it was patented in 1967, predating the ‘keytar’ by at least a decade.

❝ The instrument was battery-powered, monophonic and came with a strap so it could be slung like a guitar. It made its mark in the Swedish folk scene of the 60s and 70s and had four presets sounds to choose from: contrabass, saxophone, electric bass, and woodwind. Few made it beyond the Scandinavian frontier, except into the hands of the Beatles and Kraftwerk. ❝ *

https://memora8ilia.com/index.php/2022/06/08/behold-the-rare-joh-mustad-ab-tubon-monophonic/

June 8, 2022

Stunningly beautiful new music from Flore Laurentienne, reminiscent of Harold Budd but without any trace of piano. Looking forward to the full album.

https://memora8ilia.com/index.php/2022/06/08/stunningly-beautiful-new-music-from-flore/

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